In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs defined beneath a simple white T-shirt. On stage, ballet dancers can appear like mighty deities, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic characters and partnering. Possessing delicate traits and intense eyes, there's a touch of a brooding actor about him.
A Seamless Rise to the Top
At 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal teasing for his early passion in ballet. Joining the esteemed training institution at 11, he moved directly into the company and was advanced annually, attaining the highest position of principal in 2018. He has loved taking on meaty characters, particularly the psychological angst found in a famed choreographer's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming starring role is as himself, in an "Evening With" event designed to offer behind-the-scenes insights into a performer's craft. He will walk the audience through a part, demonstrating his mental process during performance. Yet in lighter works, the challenge is profound. "Don Quixote is one of the most demanding from a skill perspective," he notes.
The Psychological Game and Post-Performance Emotions
What about following a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the character, frequently I do feel self-conscious later. Following an intense role I'm always like: Wow, what must people think?"
Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker previously observed on a "sense of suffering in him." Does this exist? "I am very active usually, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."
Formative Drivers and Artistic Inspirations
His tenacity stemmed from early setbacks. Not doing well in competitions at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.
An upcoming challenge is making his own dance works. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, music, and painting.
Intimate Dance and Personal Dynamic
He also favors staging dance in smaller spaces. "It was just really thrilling," he says of a previous experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They aren’t typically paired on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."
On Social Media and Physical Image
On Instagram, followers can see videos from his projects and images that showcase a sculpted form. Does he mind that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple ways.
Ball describes his younger self as "eager for success." Has it met his hopes? "I am conscious of how reality is a separate reality to the aspirations you made as a young person," he muses. He likely has another decade of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."